Redykle

Just a little blog about me and mine.

ATNTFTB: What Was With the Peacocks and the Gothic Fiction? February 23, 2009

Filed under: books,in the news — Katie @ 8:27 pm

Today’s article of the day is actually a tie with a Business Section article on Tropicana’s failed package redesign. But I love this article title, and I love Flannery O’Connor and her magic of capturing the Southern Gothic, so Books of the Times wins out today. But man, why waste all that money on an orange juice carton?

How does one go about writing a biography of a enigmatic reclusive writer who didn’t live very long? A new book, Flannery attempts this task, and does unravel a bit of the mystery and appears to do a fair job of illuminating Flannery O’Connor’s deeply admired and dark body of work.

Here’s what we know about Flannery O’Connor: She owned peacocks. And made outfits for them. She was racist. She was Catholic in an anti-Catholic South. She mostly lived as a recluse at her family’s farm, Andalusia (a Southern Gothic theological pilgrimage with a good friend from seminary has been in the planning stages for a few months now). A lady friend was madly in love with her–it’s not clear whether the feeling was mutual. She died of lupus at age 39.

My first awareness of Flannery O’Connor began many years ago when my mom talked about meeting her in the 1960s. My mom attended what was then called Women’s College of Georgia (located in Milledgeville, GA). Flannery O’Connor went to college there was well, and while my mom was there from 1961 to 1965, and Flannery O’Connor–quite ill by that time–would occasionally come to campus to speak. My mom doesn’t love her writing, but even then she grasped the awesomeness of having someone like Flannery O’Connor in your midst.

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One Response to “ATNTFTB: What Was With the Peacocks and the Gothic Fiction?”

  1. Erin Says:

    I’m not a huge Flannery O’Connor fan. There is plenty of other stuff I would rather read. I am, however, incredibly excited that Tropicana is changing their packaging back! LOL


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